Sunday, August 10, 2014

A Subliminal Jigarthanda from Karthik Subburaj




                   This is not a review and hence watching the movie before continuing reading this is highly recommended. What makes the premise of this movie a herculean challenge is the fact that this is not a unknown path but was one that was tried umpteen times with little or no success (Kandukondain Kandukondain, Vellithirai to name a few). Karthik Subburaj managed to win over it with such elegance that no one would care to say that he did that by chance but was destined to do that right from the time this idea dawned on him. All said and done in various reviews about the numerous deftness of his craftsmanship, it is quite obvious that certain aspects are privy to only this man (Karthi Subburaj) and those being all the subliminal stuff he has added and still guffawing at innocent digestion of it by the audience & dimwit industry personnel. Here's a little compilation of my attempt to pick his brain on the subliminal yet hard hitting messages.
  • #7 - For those who believed that this was Karthik Subburaj's story or its exaggerated fictional anecdote then you are wrong. Because the various characters splurged across the entire 3 hour length are not those who happened to be there in his story but a clear casting after a detailed profiling of handpicked bunch of real people based on the experiences from the lives of many struggling directors (to be).
  • #6 - Life's full of distractions & pessimism (Lakshmi Menon, Karunakaran) when you work towards your ultimate goal, those who steer unfazed reap its clear benefits.
  • #5 - Most of you would have noticed the gangster part, if you were wondering where the musical part was, watch again! Close your eyes and listen to the attitude in background scores. Musicals doesn't necessarily need to have the 'song' segments or have music as a part of storyline & screenplay.
  • #4 - The cinematic success of Bobby Simha as Azuguni Kumar is a sounding proof that many a time in life what you think as your strength (fear inducing, thick skinned, killer) is not really the ones that gives you the accolades or takes you places but your talents though absolutely unnoticed or in this example hated by you, gives that soul soothing everything that you have been searching your entire life. You need to make peace with your malign mind and start believing on what others enjoy about you instead.
  • #3 - Sangili Murugan's late night roadside advice is a mere hallucination when it comes to real life, its just you and no one else who has to back yourself.
  • #2 - Remember the three monkeys & a gangster boss with the protagonist's attempt to crack the story? The analogy being cracking the gangster boss's story being achieving success in films via Booze friendships, Sleaze relationships & Plagiarized story. A mix of one or all of these has been the traditional pathways while true achievers steer clear of all these either by chance or by choice.
  • #1 - The last ten minutes or so depicts that the practical world is very much accomodative, it has the space for the wide spectra of directors | actors how much ever good | bad they are.

Thursday, May 1, 2014

Ten+ Years of Work Experience? Here's a must take survey!


     I was once a part of a corporate celebration at my workplace and one of the senior colleague (who was used to being witness to my spamming his inbox with my blog posts) started a conversation with me on doing a survey. I wondered what it was all about and it started as something plain and simple. What transpired later startled me. 



     Currently almost all of us would have heard about the uncertainty of work life for a fresher aka a newbie with little experience and slowly that tides away for most people once they begin to 'settle'. However this senior of mine brought me to perspective of a second tide of uncertainty and ambiguity in work life of people who have more than 10 years of experience. I was skeptical on why or how a person who makes 'big bucks' as well as having a better say in the organization and presumably being a part of complete family and with planned investments on assets, be uncertain on their career?

      The following little survey of 10 questions is an attempt to categorically understand the pulse of those who have more than a decade of experience and put to perspective about it in an elaborate manner in a later post.

      This survey is not just for the folks in IT or ITES but to everybody. The survey would be kept open for a whole month. Please feel free to pass this to everyone you know and help a bit in collating this.

     If you are working currently & with less than 10 years of experience, you can also have a look at the survey and if you feel you already have a perspective on the questions please go ahead and survey it out and indicate your experience in the last question!

Saturday, September 28, 2013

Onaayum Aattukkuttiyum Review



    It's been quite a long time since a non-horror thriller that has kept me at the edge of my seat till the last frame and Mysskin's this masterpiece is one such. His previous Mugamoodi could just be officially deemed as his childish fiddling. There are however quite a lot of shades that we have seen in his past movies have gone notches higher and better in this outing!
  • The first resemblance I would awe about being his affinity for 'under the yellow street lights' shots for many of the scenes.
  • The array of supporting characters leave a mark on our minds on par with the leading ones.
  • The brutality of murders of public and police akin gives no time for remorse due to a. the sheer number of such killings & b. the pace at which the screenplay takes us forward to make us lean towards what's next instead.
  • Sri is an actor of sheer class and a blessed soul for adding another feather to his cap by his performance oriented ஆட்டுக்குட்டி (Goat) role.
  • Mysskin's brilliance in the detailing of his capacity of being an ace hit-man aka  ஓநாய் (Wolf) till the last frame shows one of the greater depths of characterization in recent times of Tamil Cinema.
  • There are a lot of subtle yet purposeful references to theism / atheism depending on ones affinity to either.
  • The cinematography is stunning throughout and my favorite were repetitive frames with police convoy flash-lights giving a bokeh effect.
  • Yet again genius is an understatement for Ilayaraja's background score for this movie and one just needs to get drenched in it DOT
  • The one place where the audience lost their way was Mysskin's cemetery narration, which worked for me though!

Bottomline:

       Mysskin is en-route becoming a lone wolf amidst a large pack of bears, tigers & baboons of cinema!

Thursday, September 26, 2013

Five Revelations at Amma Unavagam


    
        Dining for many is an act to fill one's stomach and get going to carry on with their other daily chores. However it is more so an experience that is lived through each time for a few. A recent dining experience at Amma Unavagam (The state-run catering service) made a long lasting never-felt-before experience.
  • #5 - The only place where people from all walks of life can 'technically' dine under one roof.
  • #4 - No one ever serves food or water for 'that extra' tip.
  • #3 -The sanctity of food being a necessity is felt higher and very minimal to none is wasted.
  • #2 - One can come alone and still be able to make up a community dinner of the sorts out of it!
  • #1 - There are no fine prints on the pricing which would unknowingly rob you of your money in the name of taxes and charges. 
       It is surprisingly true that very little to none as stated above are possible even in the wildest of dreams in any of umpteen 'classy' restaurants that exists in the city.

        It is indeed true that there are questions raised on the loss incurred to the government in the long run. Well what's there if the government loses some of its budget in the noble of providing cost effective meal to the needy?

Monday, September 23, 2013

The Lunch Box Review


 


           There are times where the movies are enjoyed just because the popcorn turns out to have extra butter. There are a few other times where the movie has a lot of food for thought that one never gets hungry down under. The Lunch Box truly befits the latter. For a Hindi illiterate person this was my first Hindi movie in a theater in more than a decade and must admit that the trailer won me over in first place.

  • Firstly, one must appreciate the director for having showcased a six sigma organization's THAT ONE fault in all of a million transactions. 
  • Secondly, reality neither has a specific hero introduction and nor typically a climax sequence and that is precisely what you can expect.
  • This movie is about relationships and its issues, of those with some grey on their heads.
  • A non-cliche at-home wife, who handles emotional blows with believable contemplations and level headed approach.
  • A story having those who started as orphans to those who became orphans.
  • Characters are cast sparingly and all that is unnecessary has been trimmed down including one who does not a voice as well as a voice which did not need a face.
  • Lastly, the movie closes and not ends in a sense leaving it wide open for the audience to contemplate!

Bottomline:

      It's a three course carrier meal in a fine dining experience sans the need for extra spice or the digestive mouth-fresheners!

Sunday, September 1, 2013

Thanga Meengal Review


    
              The expectations were that this would be a kind of genre already explored in 'Abhiyum Naanum'.  This movie did that precisely just we have to assume that Prakash Raj was poor and Trisha never grew up! 

The PROs

  • The story line is the biggest plus for the movie and highly needed for this 'lost-track-of-what-education-really-is' society.
  • The ensemble cast of fresh faces execute with deftness & conviction.
  • The childish dialogues or conversations that gets nostalgic (at least for some).
  • The background score is laudable, great to see Yuvan befitting the Maestro's calibre for once.
  • The visuals are breathtaking & 'Anandha Yaazhai' is a must watch not-be-missed song.

The CONs

  • The protagonist seems to be just another version of Kattradhu Thamizh Jeeva, right from looks to mannerism and character, unless it is a deliberate decision. 
  • The second half of the movie was quite a stretch with respect to the screenplay and I had to resort to a time check.
Bottomline:

      The movie is a hard nail on the head & serves as a wake up call for those who really watches the movie to take back in their lives than just being just another movie of entertainment value.

Monday, July 29, 2013

Ship of Theseus Review




 First things first, this movie is a must watch and it should be done at the earliest, for two reasons
  1. The movie is a brilliant piece of work.
  2. It runs only a few shows in Satyam Cinemas, in the whole of Chennai.
  Now coming to the other details, its better for the 'mass crowd' to know what this movie is all about.
  • This movie has no popular or even known names in its crew except for a dash of Kiran Rao reference.
  • There are no cinematic fights.
  • There are no songs.
  • Most of the time there is no background score.
  • This is not a cinematographic visual treat.
  • The languages spoken by characters include Arabic, Sanskrit & Swedish and of course Hindi & mostly English.
  • There are sub titles in English. 
  • There are no duets or dream sequences.
  • There are no flashbacks too.
Also there are certain other things which might interest a few or maybe add on to the previous list for some others.
  • The movie is so real that one can venture out to find scores of such people | stories in real world.
  • One will realize that vision does not necessarily have to result in glee for the blind.
  • One waging a war against cruelty cannot survive to win the war without endorsing it some point if their life is at stake.
  •  Life's fulfillment is just not about money or one's own self but something subtler and yet larger than life. 
 This movie has a lot of not-to-be-missed conversations that convey quite a number of hard this-is-how-one-has-to-be facts in different ways.
  • The ones between Aliya Kamal & Vinay has a lot of subtle and yet valuable relationship related takeaways. 
  • All of those conversations between Maitreya & Charvaka are absolute delight to listen to with each of it touching the highs of logic to philosophy and even spirituality.
  • Lastly the single conversation between Navin Parnami and his grandma is soul stirring that changes purpose of the character of Navin altogether thereafter.
Bottomline

I would like to quote Anand Gandhi on this - "The three short stories evolved to fill in the three corners of the classical Indian trinity of Satyam-Shivam-Sunderam (The pursuit of truth, the pursuit of righteousness and the pursuit of beauty)" and
the movie indeed serves an answer to the famous paradox.

 
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